General characteristics
This is a free-standing chapel oriented along the north-south axis, with a single nave, a polygonal apse and a low antechamber. There is a staircase leading to the gallery in a two-story extension on the western side of the nave. In front of this is a sacristy opening through a Baroque stone framed door relocated from the main façade. Above its entrance is the round window of the staircase with a stained-glass window depicting St. Cecilia (József Perlaki, 2010). There is a relocated, 19th centur...Read more
This is a free-standing chapel oriented along the north-south axis, with a single nave, a polygonal apse and a low antechamber. There is a staircase leading to the gallery in a two-story extension on the western side of the nave. In front of this is a sacristy opening through a Baroque stone framed door relocated from the main façade. Above its entrance is the round window of the staircase with a stained-glass window depicting St. Cecilia (József Perlaki, 2010). There is a relocated, 19th century door in a stone frame on the façade of the narrow antechamber with the date of 1724 engraved on the keystone of the lintel. The Baroque sculptures of St. Anna and Mary as a child are in a niche on the gable over the door. The antechamber and the nave have gable roofs with a steeple on the ridge of the nave roof near the façade. There are two narrow, tall windows on the Jókai Street façade as well as one each on either side of the apse. Smooth bands and rough sections alternate on the whitewashed façade. The interior is painted white and off-white without any decorations and is covered with a groin vault springing from simple, unarticulated pilasters and from brackets in the apse. There is a large niche in the eastern side wall.
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